Red & Black Dragons. Cake Topper.

As the winter is starting to die down, many people are already starting to plan ahead their holidays, birthdays and weddings. It is a nice feeling! Closer the spring is coming, more revived I am starting to feel, too. It's like we are almost through the darkest night and the first rays of sunset are about to show over the horizon, making the colours of the sky brighter, lighter and warmer.

This time I would like to indulge your curiosity about the new things I made with some photographs of my newest work, the Red & Black dragons cake topper. 

This cake topper took some time and practice to make, as I am not a figurine making professional. By saying this, I still did the job well, but all I wanted to say, that I do not specialise on 3D figurines like that, so it was challenging to make a carcass, wire, foil and all that. 

My customer wanted to have black and red dragons as these are their wedding colours, she said. 

Of course red and black would have gone greatly with gold and shimmery crystals, so I decided to make it exactly like this. In the beginning I was planning to make clay wings, but when I tried on the metallic gold plated ones, I really loved the effect. I know they are not big enough for the dragons to fly, but when making an artistic figurine like this, all that matters is that it looks good and lovely. They are here for loving and hugging anyways, not for flying. So tiny little wings add more cuteness and softness to their silhouettes. 

When working on this project, I made the dragons first and then the round base. It was quite a challenge to understand how I wanted them to be positioned as the base was sticky and every time I placed the dragon on it I was scared it will stick to it. Therefor I covered the base with cling film and then I was playing with the dragons until I was satisfied with the placing. Miraculously their tails entwined together as if they were forming a top of the heart and so it was only obvious that their hands need to be joined together at the very bottom, to form the bottom of the hart, the sharp peak of it. So this came as a complete surprise for me. I felt like some miraculous powerful and loving force was guiding me. 

After the main composition was established, I have placed the dragons on the base permanently and started working on the textures of their skin first. It took me a few hours to cover the whole of their bodies with the scales, but with the help of DOTIES it was so much easier. Dotties saved my life million times when it comes to dragon skin.

After that I used an extruder to make the multiple amounts of swirls that formed a wonderful armour like back decor. For the legs I used extruded and hand rolled fine and thin swirls. Was quite a challenge too. But it wouldn't be interesting otherwise, right?  My client also wanted to have some orange colours on the red part,  but I didn't feel like adding orange clay or painting some parts over. Therefore I decided to add subtle effect of "orangey-ness" :) by adding orange or fiery crystals and gold. Gold is yellow and it will automatically soften and make the red colour warmer to appear as more orangey. 

As you can see I have also used the ultimate Mandarin Duck Stamp (Organic) as it is perfect for larger scales of dragon skin or pebble looking background. I can't tell you how many times I have used this stamp! This one is definitely a keeper for me, for you and for the next upcoming collection. 

Anyways... The sweetest part of this journal I think are the two little hands that the dragons are lovingly holding together. It was important for me to show the tender and sweet connection between these two dragons, just like the real personalities behind these characters, they are deeply in love with each other. 

You can see more photos on my Flickr Page. 

Thank you very much for reading, 

Love & Peace, 

The Secret of The Death Valley - Treasure Box

As many of you know, I love to work a lot with polymer clay journals and create one of a kind books. Though sometimes I like to divert from this route in order to create something very special. Some ideas just don't fit on journals any more and they are eager to break out of the 2.5D into a 3D space. 

This time me and Ashley were brainstorming about where does my art career is heading and I was feeling quite lost really, stuck up in custom orders without having much space to breathe and give life to my own creative ideas. It did happen like this couple of times before and he was always there to support me and push me towards the right direction. It's true they say that behind every successful man there is a wise woman. But I can also say that it's a complete Ditto! It works both ways as well! 

So while brainstorming and having a bit of a creative argument, as we both are very artistic minded people with strong characters, we came up to some sort of agreement on what we wanted to create. 

The plan required some good crystal hunt and so we went to my favourite crystal shop in London, Merton. I like going there as I never seen a place with more crystals anywhere else. I have selected a good set of stones for this and some other projects in future and I was very pleased with the hunt. You can see on the picture on the right the large beautiful labradorite which I used in this project. 

I started this project with a great desire and a wish to complete it, although I knew it will be quite challenging as I never worked with wire before to support the elements that are very thin and are not attached to the actual base of the artwork (like it is in journals). 

So the challenge was there and I think I had to bake the actual head 3 times before I actually attached it to the base of the artwork. Then it was easy and I was completely in peace about working on the base for as long as I could without baking it. I think the second time I baked the deer's head, I actually burned some antler parts, but it looked so nice, that I decided to use it as if it was supposed to be like this. 

It was also quite interesting to work on the actual background as I wanted to create a scene of the deserted place, where it is so dry, that even the earth is cracking onto millions of shingles. To imitate an effect of sand, dry earth, cracks and dirt, I have used a needle tool to draw the outlines of the cracks and then I worked around them, inside them, outside them and everywhere else with the Dots & Scratches tool to create an amazing effect of a crumbled hardened sand and clay. I do always use this tool for this effect as I find it's the best way to do it. 

As for the small thin and thick root-a-like strands, of course I used an extruder as I had to apply way too many strands.

I also very much  enjoyed working on tiniest details of this project like the little old snake skin on the back of the deer skull or the actual special feature of this journal, a tiny little iguana lizard with some microscopic spikes on it's back or the thorns in the dead branches. 

Unfortunately thought the majority of them just fell of while I was painting the artwork afterwards. Perhaps I should have used more liquid clay to support them. But anyways, here you can see how the iguana looked like before it was baked. It had so many miniature little spikes and thorns on it's face and back as well as it had every little toe on it's legs, nostrils and eyes. 

The actual idea from the very beginning was to create a huge Art-Necklace in a shape of a stag with very large and branchy antlers that look like two trees. The actual timber was supposed to be very dry and full of texture and the roots of these trees would go around the head crystal and would worm the shape of the deer's head. But when I started working on this project, I understood that it will be very heavy and brittle to wear, even if it's just for an artistic photo shoot and not for an everyday wear. 

I decided to use it for a treasure box project. I had these wonderful great quality leather boxes which I wanted to use for a while and so this was the time! 

The name of this Treasure Box is "The Secret of the Death Valley". I wanted to show that even in the most deadly and dry hopeless places, there always can be life found. So the thorns, branches, roots would symbolise death, thirst and where there are labradorite crystals, they would form a shape of a stag with antlers. A deer or a stag always meant to me something as beautiful as life itself. The symbol of a stag is always used in the most wonderful and spiritual ways, therefore in my mind it was a right symbol to use. Labradorite crystals do always associate with water in my head, so it was a perfect crystal to use. So, where there is death, there is death, but where there is water, there's always life. And all the living creatures are attracted to it. And this is the Secret of the Death Valley. The secret of the survival of it's living beings. 

So here is what I came up with in the very end. Enjoy and comment bellow to let me know what you think. 

This box is available for sale! 

Thank you very much for reading, 

Namaste.